Vinography Unboxed: Week of 5/24/20

Hello, and welcome to my periodic dig through the samples pile. I’m pleased to bring you the latest installment of Vinography Unboxed, where I highlight some of the better bottles that have crossed my doorstep recently.

This week included a couple of pretty rosés from Oregon and California. The first, from Argyle winery has a nice savory quality. The second, from relative newcomer Minus Tide Wines in Mendocino, is a really lovely rendition of Carignan in pink form that is just mouthwatering and just what you want to be drinking on a warm afternoon.

Minus Tide also offered a Pinot this week from Mendocino Ridge, overlooking the Pacific Ocean. This wine wasn’t quite as pitch perfect as the rosé, but it did some some very nice qualities, chief among which was a nice forest-floor quality.

I’ve reviewed some other wines from Eden Rift recently, but this week I’m featuring their lower-end line of wines named “Valliant,” and the Pinot Noir released under this label is certainly worth seeking out, especially given its reasonable price of $26.

I’ve got a few more Williams Selyem wines to note this week, three Pinot Noirs and a Zinfandel. The Pinots, like those I reviewed last week, were in excellent form. The simple Sonoma County bottling was particularly excellent for its price point (roughly 30-40% lower than single-vineyard or other named bottling). But the star of the Selyem lineup this week was their single vineyard Terra del Promissio Pinot Noir which had incredible brightness and juiciness welded to a silky-smooth texture and wonderful floral and herbal notes tinged with new oak. With a little time, hopefully the oak will fade into the fruit a bit more, but it was pretty damn tasty right now despite a woody signature.

Lastly, I received a few Pinot Noirs from Papapietro Perry this week that seemed to be made in wildly different styles, some unbalanced and ripe with alcohols pushing towards 15% while others, like the Leras Family Vineyard bottling I’m featuring here, were a modest 13.5% and very pretty and elegant.

Tasting Notes

2017 Flambeaux Chardonnay, Sonoma Coast, Sonoma, California
Light gold in the glass with a slight tinge of green, this wine smells of buttered popcorn and cold cream. In the mouth, relatively brisk lemon curd and white floral flavors have a nice complexion and excellent acidity with only the faintest trace of wood influence, mostly in texture rather than wood flavor. Pineapple lingers in the finish. A classically styled California Chardonnay. 14.4% alcohol. Score: between 8.5 and 9. Cost: $??.

2019 Argyle Winery “Grower Series” Rosé of Pinot Noir, Willamette Valley, Oregon
A light baby pink in color, this wine smells of watermelon rind and wet chalkboard. In the mouth, juicy watermelon rind and citrus peel flavors have a nice zing to them thanks to excellent acidity. Bitter orange lingers in the finish. Mouthwatering, leaning a bit towards the savory side of pink. 12% alcohol. Closed with a screwcap. Score: between 8.5 and 9. Cost: $19. click to buy.

2019 Minus Tide “Feliz Creek Vineyard” Rosé of Carignan, Medocino, California
A pale salmon pink in the glass, this wine smells of citrus peel and watermelon rind. In the mouth, watermelon rind, green strawberries, and citrus peel have a zippy, bouncy brightness thanks to fantastic acidity. Lean, bright, with a pink SweetTart finish that is mouthwatering. 12.9% alcohol. Score: around 9 . Cost: $ 24.

2017 Minus Tide “Mariah Vineyard” Pinot Noir, Mendocino Ridge, Mendocino, California
Light to medium ruby in the glass with purple highlights, this wine smells of green willow bark, forest floor, and raspberries. In the mouth, notes of red apple skin, raspberry, and dried cherry have a very nice brightness to them thanks to excellent acidity. The wine has a feeling of having been well oxygenated, which makes it taste more evolved than I would expect at this young age, but all the flavors are good. 13.5% alcohol. Score: between 8.5 and 9. Cost: $ 42. click to buy.

2018 Eden Rift “Valliant” Pinot Noir, Central Coast, California
Medium garnet in color, this wine smells of raspberry pastilles and cherries. In the mouth, the wine offers bright cherry and cranberry notes with a hint of herbal bitterness that lasts through the finish even as the front of the mouth tingles a bit. Cranberry and cherry and cedar linger in the finish.14.2% alcohol. Score: around 8.5. Cost: $26. click to buy.

2018 Williams Selyem Pinot Noir, Russian River Valley, Sonoma, California
Light to medium garnet in color, this wine smells of black raspberries and chopped herbs. In the mouth, the wine is draped in sinewy tannins that tighten around a core of raspberry and fresh flowering herbs with a touch of blueberry. Distinctive and quite unusual. Brilliant acidity and very light on its feet despite “bluer” flavors. 14.1% alcohol. Score: between 9 and 9.5. Cost: $75. click to buy.

2018 Williams Selyem Pinot Noir, Sonoma County, California
Light to medium garnet in the glass, this wine smells of redcurrant and raspberries. In the mouth, bright raspberry and citrus peel flavors have incredibly vibrant acidity that makes the mouth water. Faint tannins linger through a long finish. 13.9% alcohol. Score: between 9 and 9.5. Cost: $65. click to buy.

2018 Williams Selyem “Terra del Promissio Vineyard” Pinot Noir, Sonoma Coast, Sonoma, California
Medium garnet in the glass, this wine smells of raspberries and dried flowers. In the mouth, ethereal delicate flavors of raspberries and herbs mix with a hint of cedar. Faint tannins grip the edge of the palate as satiny raspberry fruit sings a sweet song through a long finish with just a hint of citrus peel, perhaps just a bit more sweetish oak influence than I’d like, but only by a hair. Outstanding. 13.9% alcohol. Score: around 9.5. Cost: $90. click to buy.

2017 Papapietro Perry “Leras Family Vineyard” Pinot Noir, Russian River Valley, Sonoma, California
Light to medium garnet in color, this wine smells of raspberry and cranberry compote. In the mouth, bright cherry and raspberry flavors are silky-textured and have a bright zing to them thanks to excellent acidity. Notes of herbs and wood linger in the finish. Pretty. 13.5% alcohol. Score: around 9. Cost: $60. click to buy.

2018 Williams Selyem “Fanucchi-Wood Road Vineyard” Zinfandel, Russian River Valley, Sonoma, California
Very dark garnet in the glass, this wine smells of blackberry and licorice and flowers. In the mouth, bright and juicy blackberry flavors are zippy with fantastic acidity and mix with blueberry and floral notes that linger with a touch of licorice root in the finish. Wonderfully balanced, betraying none of its prodigious 15.1% alcohol. Score: around 9. Cost: $150. click to buy.

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Vinography Images: Intersecting Planes

Intersecting Planes
SANTA MARIA, CA: Hillside Pinot Noir vineyards along the Tepusquet Bench are seemingly on a different plane from the golden, grassy hills seen in the late afternoon light near Santa Maria, California.

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Daily Wine News: Reopening Rules?

In the San Francisco Chronicle, Esther Mobley ponders the convoluted logic behind California’s winery tasting room reopening plan. “In other words, for now it’s a patchwork, with some wineries allowed to open and others still prohibited. Why? Because winery tasting rooms aren’t included in California’s Stage 2 plans — part of the state’s phased-in process of reopening the economy after shelter-in-place — unless they serve full meals. Which turns out to be a thornier issue than many wine drinkers might expect.”

“Caymus Vineyards, one of Napa Valley’s best-known wineries, has filed a lawsuit against California’s governor and public health officer, alleging that the state’s reopening plan is treating winery tasting rooms inequitably,” reports Mitch Frank in Wine Spectator. “Chuck Wagner, the winery’s proprietor, is calling on a federal court to strike down the measure that has allowed some tasting rooms to open while others remain closed.”

In the New York Times, Eric Asimov profiles Dr. Pourfar, a wine lover and neurologist who found a deeper relationship with wine after losing his sense of smell with the onset of Covid-19.

“The COVID-19 crisis appears to have accelerated the shift of U.S. wine consumers to online buying, and several of the nation’s top retailers expect wine buyers to stay online,” reports Andrew Adams in Wine Business.

Does a great vintage make blending easier or harder? On the blog for Tablas Creek, Jason Haas explores his blending approach to the 2019 vintage.

In Wine Enthusiast, Matt Kettmann explores the wines from Santa Cruz Mountains.

Lettie Teague considers examples of bad wine advice in the Wall Street Journal. (subscription req.)

The Reincarnation of Pinot Noir: Adam Lee’s Clarice Project

If you went looking for a poster child, rags-to-riches wine success story in California, you’d be hard-pressed to find a better candidate than Siduri Wines. In the early 90’s Adam Lee and his wife Diana Novy were just a couple of wine lovers living in Texas. Diana was a farm girl who majored in Marketing. Adam was a History major from a teetotaling Southern Baptist family. Through sheer happenstance, Adam got a job at a wine retailer and rose up through the ranks, and met Diana when he became the wine buyer for Nieman Marcus, where Diana worked. By that time they had both been bitten by the wine bug. So in 1993 Adam and Diana decided that, more than anything, they wanted to make Pinot Noir. They got engaged, moved to Sonoma County, and on the typical shoestring budget of borrowed savings and credit cards, they produced their first Pinot Noir under the label Siduri, named for the Babylonian goddess of alcohol and parties.

The wines were highly acclaimed by critics from the start, turning Adam Lee into something of a superstar winemaker in the hot new category of California Pinot Noir. Siduri was one of the first wineries in California, and perhaps the first to grow to any significant size, without any vineyards to its name. Adam and Diana built a substantial (25,000 cases or more) portfolio of wines (at one point holding the distinction of making more individual bottling of Pinot Noir than any other producer in the state) solely through purchased fruit, which at their height included vineyards from the Willamette Valley down to Santa Barbara.

In 2015, Adam and Diana sold Siduri (and their other label Novy Family Wines) to Jackson Family Wines for an undisclosed, but purportedly handsome sum. Adam signed up for a three-year contract, and was happy to, as he told me at the time “focus on the fun stuff and let someone else handle all the headaches.”

Jackson Family Wines is among the world’s most experienced and sophisticated wine empires and has (to my mind) a rather remarkable track record of not screwing up the wineries they purchase. Indeed, instead of parachuting in the “folks from corporate” to “help{ they seem positively enlightened when it comes to creating situations under which their new brands, and the people who built them, can thrive.

“When we sold to Jackson, I told them, ‘I have some other projects that I’m interested in pursuing and some people who want me to consult,'” said Lee. “They told me, ‘as long as you’re devoting your time and energy to keeping Siduri on track, and as long as you’re not consulting for Gallo or Constellation, we’re fine with it.’ They know that people like doing little projects and that anything that gets my name out there is good for them.”

Lee has long been a proponent of the Santa Lucia Highlands, and has been buying fruit from Gary Pisoni and Gary Franscioni and their Garys’ Vineyard and Rosella’s Vineyard for more than 20 years. It was those sites and relationships that served as much of the inspiration for Lee’s new project, the Clarice Wine Company.

Garys’ Vineyard from above, courtesy of @pisonivineyards

“Each of those two vineyards have these two-acre parcels I’ve been working with for a long time,” said Lee. “The vines are older, planted in 1997 and 1999 respectively, and they usually ripen about 10 days to two weeks apart. At Siduri, I’d pick each parcel separately and make standalone wines with them.” Even within these two parcels, separate blocks of vines ripen at different rates.

Instead of picking each block separately, however, Lee was inspired by his grandmother Clarice. “She was born in 1896 and she taught me how to cook with a crockpot,” recalled Lee. “You put in the roast and the potatoes, and the carrots, the broth, the seasonings. It all comes together as one and anything you add at the end stands out like a sore thumb.”

Instead of making multiple passes through the vineyard, and instead of picking the parcels block-by-block at perfect ripeness, Lee now picks them in one fell swoop.
“Consequently when they’re ready as a whole, there’s stuff in there that is less ripe and stuff that is more ripe,” said Lee. “The blend as a whole is hopefully more interesting. And because these vines have some age, I decided I wanted to pick them earlier than I was used to picking them for Siduri. I also decided I wanted to do a lot more whole cluster. I’m hoping to offer a bit more tannin than you would ordinarily get from the Santa Lucia Highlands.”

The Reincarnation of Pinot Noir: Adam Lee’s Clarice Project
Adam Lee during a night harvest of Clarice fruit.

Lee ferments the wines in open-top fermenters with roughly 55% whole cluster usage in his 2017 vintage, and close to 80% in his 2018 release. He adds no yeast, no acid, and lets the wine go through malolactic conversion naturally.

Clarice Wine Company features three wines: the “Clarice” which is the blend of both Garys’ and Rosella’s Vineyard, and then a bottling of each vineyard separately. The single-vineyard wines get about 70% new oak, the Clarice bottling a bit less.

Sure, there’s nothing particularly revolutionary about the winemaking in these wines. They’re leaner, more whole-cluster influenced and debatably a bit more hands-off in their winemaking than Adam might have been at Siduri, but beyond that, they’re just (excellent) Santa Lucia Highlands Pinot Noir.

The Reincarnation of Pinot Noir: Adam Lee’s Clarice Project

What makes Clarice Wine Company so interesting is the business model, which is unlike anything that anyone has ever done in the California wine industry.

“Clarice is really a whole concept,” explained Lee. “I think people don’t just want to buy wine these days, they want a community. What makes a wine stand out? It can’t just be another good Pinot. When I started Siduri, that was enough, but now, they need more.”

With the exception of a few spare cases sprinkled here and there, Clarice is generally not sold at retail or in restaurants. There is not and never will be a tasting room. There is no mailing list or wine club in the way that most California wineries would describe them. Instead, 500 people (and only, ever, 500 people) can become subscribers.

As a subscriber, you pay $960 per year — in several installments if you don’t want to pay all at once. What that $960 gets you, for as long as you’re a subscriber, is 1 case of wine each year, a mix of the 3 Clarice wines. The price includes tax and shipping, and you’ll continue to get a case of wine each year as long as you’re a subscriber.

Membership, as they say, has its benefits, too. There’s an online community where subscribers can interact with each other and directly with Adam, asking questions about everything from the wines themselves to his recommendations on estates to visit in South Africa.

“I also host parties at other people’s wineries,” said Lee, speaking to me before the current pandemic. “I also do limited offers of other people’s wines. This all goes back to the very earliest days of Siduri where we [winemakers] were all helping each other out. If I was busy, Brian Loring [of Loring Wine Company] would pour Siduri at a tasting. Now, too often it seems like we’re fighting for shelf space with each other, rather than growing the pie. Once we’re all selling out our wines, then we can fight over shelf space. Until then, we gotta hang together. That’s the key. It’s incredibly important.”

The Reincarnation of Pinot Noir: Adam Lee’s Clarice Project

Lee insists he’s not going to grow Clarice any larger. Sticking with 500 cases of production, sold to his 500 subscribers. New subscribers replace old ones that drop out, and so far, attrition is in the single digits, with a decent waiting list.

And the wines, to my taste, are certainly worth waiting for. I’ve now tasted the first two vintages, and they’re among some of my favorite Adam Lee wines that he’s ever made. They have a poise and on the balance of things, more elegance than exhuberance (a trait I always have associated with Siduri Pinots).

Do these wines demonstrate what a little calm can do? How a winemaker performs when the pressure is off entirely and he’s made enough money to be comfortable? Lee doesn’t think so.

“I don’t sleep particularly better at night,” he said. “I drive the same car. I live in the same house. I do have a level of comfortability, but the question is, how comfortable do I let myself get? Now I think I can take time to look at the bigger goals I have as a winemaker. It’s not just about one more Pinot for me, or chasing sales. At the end, Siduri was running me, not the other way around. Now, I get to move things forward.”

Tasting Notes

2017 Clarice Wine Company Pinot Noir, Santa Lucia Highlands, Monterey, California
Medium garnet in the glass, this wine smells of raspberry and cranberry and a hint of citrus peel. In the mouth, faintly muscular tannins wrap around a core of cranberry and raspberry fruit that is bright with juicy acidity. Wonderful dusty herbal notes ramble along beneath the bright fruit. Hints of citrus in the finish. 14.1% alcohol. Score: between 9 and 9.5.

The Reincarnation of Pinot Noir: Adam Lee’s Clarice Project

2018 Clarice Wine Company Pinot Noir, Santa Lucia Highlands, Monterey, California
Medium garnet in the glass, this wine smells of dusty roads and red fruit. In the mouth, spicy, dusty roads mix with raspberry fruit that leans more savory than the 2017 wine, perhaps thanks to increased use of whole cluster. Juicy acidity keeps the fruit bright and drives the herbal notes and bits of earth into the finish. 14.1% alcohol. Score: between 9 and 9.5.

2017 Clarice Wine Company “Rosella’s Vineyard” Pinot Noir, Santa Lucia Highlands, Monterey, California
Medium garnet in the glass, this wine smells of raspberry and cherry fruit. In the mouth, wonderfully bright and juicy raspberry and cherry flavors are bright and slightly herbal with faint tannins. Citrus notes in the finish. Silky and gorgeous but there’s a bit of heat. 14.4% alcohol. Score: around 9.

2018 Clarice Wine Company “Rosella’s Vineyard” Pinot Noir, Santa Lucia Highlands, Monterey, California
Medium garnet in the glass, this wine smells of raspberry and cranberry and wonderfully bright floral notes. In the mouth, gorgeous floral notes are very refined and quite delicate with raspberry and cherry fruit. Great acidity, powdery tannins, long finish. Gorgeous. 14.4% alcohol. Score: between 9 and 9.5.

2017 Clarice Wine Company “Garys’ Vineyard” Pinot Noir, Santa Lucia Highlands, Monterey, California
Medium garnet in the glass, this wine smells of floral raspberry and cherry. In the mouth, bright cherry flavors are juicy and wonderfully balanced and stunning. Gorgeous, supple, wonderfully balanced between bright fruit and a touch of minerality. Long. 14.1% alcohol. Score: around 9.5.

2018 Clarice Wine Company “Garys’ Vineyard” Pinot Noir, Santa Lucia Highlands, Monterey, California
Medium garnet in the glass, this wine smells of raspberry and herbs. In the mouth, muscular tannins wrap around a core of raspberry, cherry and dusty road. Notes of dried herbs linger through the finish with a bit of green willow bark. Around 80% whole cluster. 14.1% alcohol. Score: between 9 and 9.5.

Sadly, these wines are not available for purchase by the general public. You can get on the waiting list for a subscription at the Clarice Wine Company web site.

Images of Adam Lee by Richard Green Photography, courtesy of Clarice Wine Company.

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